novella

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The Wind That Lays Waste by Selva Almada (transl. Chris Andrews): Spreading the word

Argentinian writer Selva Almada’s The Wind That Lays Waste is published by Charco Press, a small publisher set up by Carolina Orloff and Samuel McDowell to champion Latin American literature in the English-speaking world. Orloff’s a translator which is perhaps why Chris Andrews’ name appears on the book’s cover, just as it should. I wish

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Brother by David Chariandy: ‘Complicated grief’

David Chariandy’s Brother is the second novel I’ve reviewed this year that I first spotted on Naomi’s Consumed by Ink, hoping that it would buck the British publishing trend of ignoring Canadian gems. The first was Katherena Vermette’s The Break, which lived up to the Margaret Atwood plaudit adorning its cover. Fingers crossed there’ll be more

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Mirror, Shoulder, Signal by Dorthe Nors (transl. Misha Hoekstra): The loneliness of the learner driver

I’ve not come across Dorthe Nors’ writing before although the Guardian included her Karate Chop/Minna Needs Rehearsal Space as one of their best books of 2015. It’s possible I dismissed Karate Chop out of hand, not yet having seen the light with regard to short stories, but if Mirror, Shoulder, Signal is anything to go

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Another Brooklyn by Jaqueline Woodson: Girls growing up in the ’70s

Someone at Oneworld has a very sharp editorial eye, or maybe there’s a whole team of them. They managed to bag both the last two Man Booker Prizes, first with Marlon James’ A Brief History of Seven Killings then Paul Beatty’s The Sellout. They also published Sweetbitter, one of my favourites from 2016, and The

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