Susan Osborne

Cover image for The Field by Robert Seethaler

The Field by Robert Seethaler (transl. Charlotte Collins: Giving voice to the dead

Back in 2015, I reviewed Robert Seethaler’s A Whole Life, a beautifully written novella about a man who’d barely left his mountain hamlet, revealing the richness of even the simplest of lives. The following year’s The Tobacconist, set in Vienna in the months before Hitler annexed Austria, was equally striking raising high hopes for his

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Cover image for Stella by Takis Wurger

Stella by Takis Würger (transl Liesl Schillinger): In search of truth

Two years ago, I reviewed Takis Würger’s The Club whose exploration of entitlement through the appalling behaviour of an Oxford University boxing club struck horribly familiar chords. Stella, his new novel, also tackles discomfiting territory this time through a love story about a wealthy young Swiss man and the beautiful artists’ model he meets in

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Cover image for The Office of Historical Corrections by Danielle Evans

The Office of Historical Corrections by Danielle Evans: ‘The past isn’t dead. It isn’t even past’

I’d not read anything by Danielle Evans before The Office of Historical Corrections turned up, although the title of her prize-winning, Before You Suffocate your Own Fool Self, had caught my eye. This second collection comprises seven stories, one lengthy enough to qualify as a novella, which explore racism in America and its complicated history.

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We Are Not In The World by Conor O’Callaghan: The unbearableness of loss

Given that it was praised to the skies by the likes of Donal Ryan and John Banville, I’ve no idea how I managed to miss Conor O’Callaghan’s debut, Nothing on Earth, but I did. Fortunately, We Are Not In The World caught my eye on Twitter, looking very much up my literary alley. O’Callaghan’s novel

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Cover image for Consent by Annabel Lyon

Consent by Annabel Lyon: Who gives permission and who is to blame?

Annabel Lyon’s Consent has been on my radar for some time thanks to Naomi and Marcie’s coverage of the Scotiabank Giller Prize longlist, always a prize worth keeping an eye on. Both Naomi’s Consumed by Ink and Marcie’s Buried in Print are excellent blogs to follow if you’re interested in Canadian fiction although not nearly

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