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Parfums by Philippe Claudel (transl. Euan Cameron): An unusual, beautifully written memoir

I’ll read anything by Philippe Claudel. His prose has a lovely, elegant expressiveness to it, trimmed of the flourishes and curlicues that some writers indulge in. All four of his novels are very different, from the dystopian The Investigation to Monsieur Linh and his Child, one of the most heart-wrenching novels I’ve ever read. He’s […]

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The Book of Strange New Things by Michel Faber: SF, Jim, but not as we know it

Michel Faber’s The Crimson Petal and the White is a favourite of mine. A playful, sprawling, vibrant novel that takes you from the rancid, stinking alleys and raucous bawdy-houses of nineteenth-century London into the heart of its supposedly respectable upper echelons guided by seventeen-year-old Sugar, one of the smartest narrators you could possibly hope for.

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Aren’t We Sisters? by Patricia Ferguson: A lesson in not judging a book by its cover

Aren’t We Sisters? put me in a bit of a quandary. The author contacted me asking if I would review her novel, not an unusual experience as I’m sure fellow book bloggers know only too well. Usually, I politely decline but she’d heard of me through a mutual acquaintance whose opinion I trust and I’d

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The Peculiar Life of a Lonely Postman by Denis Thériault (transl. Liedewy Hawke): A very unusual love story

I’m not sure how well most people know their postie. After long years working at home answering the door to receive bulky parcels of books, I have regular cheery exchanges with mine. I don’t think he’s the type to steam open letters before popping them through the door which is what Québécois writer Denis Thériault’s Bilodo

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Mãn by Kim Thúy (transl. Sheila Fischman): A quiet, beautifully expressed tale of food and passion

This slim, very beautiful novel is a love story, a work of aching nostalgia and a glorious celebration of language. Its gorgeous, colourful jacket suggests something pulsing and tropical but although that was partly what attracted me to it in the first place the writing is infinitely more subtle, shading into more variations of pearlescent

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The Train to Paris by Sebastian Hampson: More than just a romp

There’s a curiously old-fashioned feel to Sebastian Hampson’s debut. It’s about a naïve gauche young man about to start his art history studies at the Sorbonne and his encounter with an older, sophisticated woman who decides to make something of him. The press release suggests Brief Encounter and there’s certainly a cinematic feel about Hampson’s

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