Susan Osborne

Cover image for Harvest by Georgina Harding

Harvest by Georgina Harding: ‘But this was only a moment of sunlight’

Georgina Harding is one of those writers whose work I’ve long thought underrated. Her elegant, understated prose is meticulously crafted, never more so than in Harvest, her third novel about the Ashe family which echoes both The Gun Room and Land of the Living in its exploration of the legacy of war. The brooding that

Harvest by Georgina Harding: ‘But this was only a moment of sunlight’ Read More »

Cover image for The Field by Robert Seethaler

The Field by Robert Seethaler (transl. Charlotte Collins: Giving voice to the dead

Back in 2015, I reviewed Robert Seethaler’s A Whole Life, a beautifully written novella about a man who’d barely left his mountain hamlet, revealing the richness of even the simplest of lives. The following year’s The Tobacconist, set in Vienna in the months before Hitler annexed Austria, was equally striking raising high hopes for his

The Field by Robert Seethaler (transl. Charlotte Collins: Giving voice to the dead Read More »

Cover image for Stella by Takis Wurger

Stella by Takis Würger (transl Liesl Schillinger): In search of truth

Two years ago, I reviewed Takis Würger’s The Club whose exploration of entitlement through the appalling behaviour of an Oxford University boxing club struck horribly familiar chords. Stella, his new novel, also tackles discomfiting territory this time through a love story about a wealthy young Swiss man and the beautiful artists’ model he meets in

Stella by Takis Würger (transl Liesl Schillinger): In search of truth Read More »

Cover image for The Office of Historical Corrections by Danielle Evans

The Office of Historical Corrections by Danielle Evans: ‘The past isn’t dead. It isn’t even past’

I’d not read anything by Danielle Evans before The Office of Historical Corrections turned up, although the title of her prize-winning, Before You Suffocate your Own Fool Self, had caught my eye. This second collection comprises seven stories, one lengthy enough to qualify as a novella, which explore racism in America and its complicated history.

The Office of Historical Corrections by Danielle Evans: ‘The past isn’t dead. It isn’t even past’ Read More »