Shuggie Bain by Douglas Stuart

Shuggie Bain by Douglas Stuart: ‘I’d do anything for you’

I’m not sure how much of Douglas Stuart’s debut is autobiographical but the first paragraph of his acknowledgements page suggests more than a smidgeon. Given that’s the page I often visit before reading a novel, Shuggie Bain was even more poignant for me than it would otherwise have been. Set in ’80s Glasgow, Stuart’s book

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Cover image for The Light at the End of the Day by Eleanor Wasserberg

The Light at the End of the Day by Eleanor Wasserberg: Portrait of the artist as a young girl

You might remember Eleanor Wasserberg’s debut, Foxlowe, which caught my attention on Twitter a few years back, although not enough for me to read it. Two things drew me to her second novel: first the art theme running through it, always a lure for me, and secondly its Krakow setting. The Light at the End

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Cover image for The Family Clause by Jonas Hassen Khemiri

The Family Clause by Jonas Hassen Khemiri (transl. Alison Menzies): What Larkin said

Two things drew me to Jonas Hassen Khemiri’s The Family Clause: I’d enjoyed his previous novel, Everything I Don’t Remember, back in 2016, and the blurb sounded tempting with its promise of chaotic and discordant family life. I’d been expecting a fairly straightforward linear narrative but that’s not Khemiri’s style. This everyday tale of a

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Cover image for The Liar's Dictionary by Eley Williams

The Liar’s Dictionary by Eley Williams: ’The action of telling lies in an artful way’

I remember Eley Williams’ collection of short stories, Attrib, being garlanded with praise from all sorts of people whose opinions I trust back in 2017 when it was published. I’ve no idea why I didn’t get around to reading it, being well over my short story aversion by then, particularly as its themes seem to

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