British Fiction

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A Ghost’s Story by Lorna Gibb: A matter of punctuation

‘Tis the season of ghost stories. Halloween’s long past, I know but Christmas, when lots of us are cosily tucked up at home, offers the perfect opportunity for a few ghostly frissons. Lorna Gibb’s A Ghost’s Story is somewhat different from the more traditional scare-yourself-rigid variety such as Susan Hill’s splendidly terrifying The Woman in

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Katherine Carlyle by Rupert Thomson: A sense of belonging

I’ve admired Rupert Thomson’s work for some time. His novels are never predictable, always exploring unexpected terrain from the advertising world, satirized in Soft!, to the Medici court in Secrecy‘s seventeenth century Florence. The last one’s my particular favourite. Famously, Davie Bowie’s is The Insult which appeared as one of his 100 Must-Read Books of

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Sweet Caress by William Boyd: A welcome return to Any Human Heart territory

Oh joy! William Boyd’s back on form with his new novel which has its feet firmly planted in Any Human Heart territory. Boyd set off on a thriller trajectory with the excellent Restless, picked up by Richard and Judy back in 2007, which I followed loyally despite an increasing disappointment: Waiting for Sunrise ended up

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Signs for Lost Children by Sarah Moss: What Ally and Tom did next

Sarah Moss’s excellent Bodies of Light appeared on the Wellcome Trust Book Prize shortlist for its theme of nineteenth century women in medicine earlier this year. Signs for Lost Children is its sequel, picking up Ally and Tom’s story from where Bodies of Light left off. Newly married, they face separation as Ally practices as a

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British Writing is not all Grey

Last month, in response to the brouhaha about E L James’ sequel to Fifty Shades of Grey, Sophie Rochester, Director of the Jerwood Fiction Uncovered Prize, came up with a neat riposte: the Twitter hashtag #BritishwritingisnotallGrey. I’d missed it but Naomi at The Writes of Women wrote a post celebrating it with an excellent list

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